Three consecutive Timbaland productions, including one suited for a black college marching band and another that effectively pulls the romantically codependent heartstrings, enhance the album rather than make it more scattered. The album's second half is relatively varied and a little heavier on acoustic guitar use, but it's not lacking additional standouts. In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration. you bring in lots of distortions and affect non-melodic instruments (percussion, drums) that don’t require transposition. The Freakazoids - The Freak Remix 1A-129. Rihanna knows exactly what she wants and is in total control at all times, even when she's throwing things and proclaiming "I'm a fight a man" amid marching percussion and synthesizers set on "scare" during "Breakin' Dishes." The album's lead song and lead single, "Umbrella," is her best to date, delivering mammoth if spacious drums, a towering backdrop during the chorus, and vocals that are somehow totally convincing without sounding all that impassioned - an ideal spot between trying too hard and boredom, like she might've been on her 20th take, which only adds to the song's charm. Rihanna Rated R Album review from RapRadar: Mad House: Intro interlude. Multitrack of Rihannas song Rehab will help you to create own mix of this composition very simple. The Dramatics - What You See is What You Get (16 Tracks) The Egg - Walking Away (Stems) The Fray - Love Dont Die (9 Stems) The Freakazoids - Byzantines Music Machine 6A-119. "Shut Up and Drive" is part of an all-upbeat opening sequence that carries through five songs. Umbrellaa weapons-grade pop hitopens this third album with its unmistakable drum beat and Jay-Z assist and ushers in a most staggering metamorphosis. smash "Freak Like Me" (a cover of Adina Howard's 1995 hit that swiped from another '80s single, Gary Numan's "Are Friends Electric?"). Editors Notes Within one hi-hat, Rihanna goes from promising starlet to cocksure icon. What Goes Around / Rehab by Boyce Avenue (2008) Multiple Elements. Unlike Music of the Sun or A Girl Like Me, neither Caribbean flavorings nor ballad ODs are part of the script, and there isn't an attempt to make something as theatrical as "Unfaithful." There is, however, another '80s hit involved: just as "SOS" appropriated Soft Cell's version of "Tainted Love," "Shut Up and Drive" turns New Order's "Blue Monday" into a sleek, forthcoming proposition, one that is as undeniable and rocking as Sugababes' 2002 U.K. When you've released a pair of albums containing a few monster singles and a considerable amount of unsteady, unassured material, why mess around the third time out? From beginning to end, Good Girl Gone Bad is as pop as pop gets in 2007, each one of its 12 songs a potential hit in some territory.
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